Classy Figaro at the ROH compromised by casting changes

If the curate https://i0.wp.com/img560.imageshack.us/img560/858/rohfigaro7.jpgever wonders what has become of his much travelled egg, he could have located it last Saturday evening at the Royal Opera House, where it was masquerading as a performance that had much to commend it but was ultimately undone by some unbalanced casting.

David McVicar’s 2006 staging (placing the action amid the revolutionary turmoil of 1830s Europe) remains a thing of beauty. With Tanya McCallin’s gorgeous designs and Paule Constable’s at times magical lighting (the transition from sunset to Rembrandtesque candle light at the end of Act III is a genuine coup de théâtre) he has created a production that is well on the way to attaining iconic status.

My full review is at Opera Britannia

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